Archive for the ‘ Culture ’ Category

kg[Note: This site has been down for the last week or so due to some problems with my server, but all has been fixed and everything should be working again. However, this blog will be going through some changes in the next few months. More on this later.]

I’ve been reading James K. A. Smith’s Desiring the Kingdom: Worship, Worldview, and Cultural Formation, volume 1 in his cultural liturgy series. This book hass been a very interesting read so far. James has questioned and critiqued the basic idea of ‘world-view’ as valid way of learning. His basic argument, which I think has lots of validity, is that the current education paradigm focuses on the person-as-thinker or (particularly in reformed circles), the person-as-believer. Though this last category (reminiscient of Romans 1) has much truth to it, according to Smith, it suffers the same problem as the person-as-thinker model: they are both dualistic platonic approaches to education, not taking into account the holistic person. In other words, it assumes that we are basically minds encased in bodies, and that all education functions primarily at this thought level.

Smith counters that we are not merely minds with a body to drag them down, but a holistic being. We are not primarily people-as-thinkers, but people-as-lovers. This isn’t, as Smith points out, love as in pizza, or even love as in spouse, but love as religion. We are worshippers at our core, striving toward ultimate love. We are desiring a Kingdom which is a picture of human flourishing. We are created to desire the Kingdom of God, and human flourishing in the light of God’s shalom, but because of sin we often seek after many other kingdoms. This leads us to seek our kingdoms in other places, finding our worship in culture.

Smith’s view of ‘world-view’ says that it is reductionistic. I agree with this, to some degree. We are much more than intellect, and we interact with the world through more than our thoughts. However, it seems (so far) that even with the valid critiques that Smith brings, he ends up doing the same in the other direction. It seems that Smith’s view of person-as-lover is similarly reductionistic. The reality is that person-as-lover necessarily also contains person-as-thinker, and person-as-believer, but Smith’s rhetoric sometimes leads us away from that understanding.

All in all, however, the book has been absolutely fantastic. I really recommend it. The book is focused primarily on university education, but the contents are applicable to a general theory of knowledge, as well as understanding how we are affected and effected by our culture.

Happy Birthday, Earth!

kgIn 1650, Archbishop James Ussher published his book “Annals of the Old Testament, deduced from the first origins of the world,” in which he calculated that the date of creation was October 23, 4004 BC, which would make the world 6,013 years old today.

Ussher’s work is usually thought of in two ways today–a laughingstock of science or veritable scripture itself. And as one person pointed out in this video introducing Genesis, both sides are wrong. It certainly isn’t Scripturally obvious that this is so, but neither should it be a scientific whipping post. As Fred Sanders, who is an Old Earth Creationist, says:

Ussher excelled all previous attempts mainly by his precision and his encyclopedic learning: he correlated Biblical accounts with classical and Middle Eastern history, and with Jewish calendar systems. He made independent judgments about the superiority of the Hebrew text to the Greek translation of the Old Testament, about reconciling the Julian calendar to the Gregorian, and about anything else that got in his way. All in Latin, all festooned with quotations from classical authors.

Ussher was simply using the best research of his day, being far more educated than given credit for. So, although I disagree with Ussher’s final conclusion on the age of the earth, I’m still inclined to celebrate today the work of someone who used the best that he had, and who also highly valued the Scripture as God’s word. Happy birthday, Earth!

Update: Matthew over at Cryptotheology, threw the earth a party! There’s even cake.

In the Beginning God: Creation, Culture, and the Spiritual Life
Marva J. Dawn
Paperback: 124 pages
Publisher: IVP Books
Language: English
ISBN-10: 0830837078
ISBN-13: 978-0830837076
Product Dimensions: 8.1 x 5.4 x 0.4 inches
Buy Here: Amazon.com
Thanks to Adrianna Wright and IVP Press for sending me a copy to review!

Marva J. Dawn, whether you tend to agree with her or not, is always a refreshing read for me. She never fails to point the reader back to worship. Her newest book, In the Beginning, God is no different.
Read the rest of this entry

kgThis past Friday, The 930 (which is the building where Sojourn Community Church gathers) hosted a new gallery opening entitled “Ethiopia.” The gallery description given on the site is:

“‘Ethiopia’ is an exhibit of photos, video, and Ethiopian folk paintings exploring Ethiopian culture through the eyes of two traveling Louisvillians, photographer Jason Crigler and videographer Drew Layman…In the Ethiopia exhibit, Jason Crigler’s photographs make up most of the show. His photographs show a mostly rural Ethiopia, where traditions have remained strong through generations. Farmers plow with oxen and coffee is roasted over fires in small batches. Clothing is washed by hand in streams and made from homespun cloth.”

I missed the opening of the exhibit, but was able to look around later that evening while waiting for one of my favorite bands, Cool Hand Luke1, to take the stage. The whole exhibit was wonderful, but there was something interesting that caught my eye. On the wall was an opened Ethiopian blessing cross, which you can see on the right below (sorry for the phone camera quality). Below it was this description:
Read the rest of this entry

  1. For any of you who might care, the original members of the band joined Mark on stage for the first time in 6 years to perform the last song of the set. It was amazing.

Heaven is a Place on Earth: Why Everything You Do Matters to God
Michael E. Wittmer
Paperback: 272 pages
Publisher: Zondervan (May 1, 2004)
Language: English
ISBN-10: 0310253071
ISBN-13: 978-0310253075
Product Dimensions: 7.7 x 5.3 x 0.9 inches
Buy Here: amazon.com

We have looked at the first three parts of Heaven is a Place on Earth, which explain “where we are,” “who we are,” “why are we here,” and “what’s wrong with the world?” This brings us to the fourth and final section of the book, “What is God’s Plan for This World?”
Read the rest of this entry

What is Art to Christianity?

kgI recently asked my good friend Jacob to write a guest blog post for my blog. Because of his studies in Christianity and the arts, I asked him to write a brief introduction and primer to the arts. This was before he asked me to contribute to his new blog on that very subject, and so, it seems apt to publish this coinciding with the new blog. You can check Jacob’s other writings at:
The Sojourner’s Journal
Image of Truth


What is Art to Christianity?

It’s a loaded question. One could seriously talk for days on end about the issue and only brush the surface, so I feel that an introductory blog post can be only that… introductory. However, more disturbing than the simplicity of this overview is the fact that Protestant Christians have, by and large, totally been oblivious to the fact that art is an issue for the Church at all. When one walks into the majority of our chapels, they see our bare, whitewashed walls and solid-colored carpet, a solitary cross perhaps being the lone sign of some sort of artistic imagery. We stand in a long line of churchgoers influenced by the iconoclastic tendencies of John Calvin and Ulrich Zwingli. As much as we appreciate the theology that these men brought to the Church during a crucial time, they sadly set in course actions that would put a wedge in the worlds of visual art and Protestant Christianity for the next four centuries.

However, the Scriptures point to a high view of the arts, indeed. Indeed, the arts are a sacred form of worship. We see very early that God gave mankind his blessing to subdue the earth and have dominion over it (Genesis 1:28). This does not speak explicitly of art, but it would be inclusive of art if this subduing is done for the sake of God’s glory. It should be no surprise that God would bless our artistic endeavors. We are created, after all, in God’s image… and in that image, we carry the trait of God’s creative nature.

If not just for the fact that they are a way of mankind reflecting God’s glory by expressing our inherited creativity, God seems pleased to desire the creative arts specifically in his worship. If we examine the wilderness tabernacle of the Pentateuch, we see that it included a full multi-sensory experience. The Ark of the Covenant itself had marvelous metalwork, with sculptures of heavenly beings bowing their wings over its corners. When we move to the Temple built by Solomon, we encounter no less than every known art form of the civilized world at that time. Every one. From painting to sculpture, carving, woodwork, metalwork, fabric design, and more, both abstract and representational art, realistic and fantastic, the Temple was an experience to overwhelm the senses, and it was done for God’s glory. Indeed, under his distinct and precise commands. If we look at the Bible as a whole, we suddenly see that the Bible itself is a plethora of art forms. The Psalms are music and poetry. Job is what is known as a “closet drama” (that is, a play meant to be be read, not performed). The very text of the Bible itself is artistically magnificent.

Thus, art is sacred. Thomas Merton, the Catholic spiritualist, stated:

“Unless man fulfills his vocation as artist, technology will tend to blind him to the things of God. By artistic and creative insight, man rises above the material elements and outer appearance of things and sees into their nature. By the disciplined exercise of his art he is enabled to draw forth the glory of God that is hidden in created beauty and make it manifest in the world.”

The early Church made heavy use of art. We see remnants paintings of Biblical scenes within the first century of the Church’s existence, as well as a thorough iconography, and by the third century A.D., Christianity had developed fully-fledged art forms. Sculptures and paintings typically represented Christ as a shepherd, and stories of the canon and apocryphal Christian tales were represented on the walls of early church facilities.

Art is not merely a form of personal expression, but can be an expression of the Gospel like none other. Art can communicate truth in ways that speech alone is limited. Martin Luther recognized this and battled against those reformers who sought to erase art from church buildings. He actually utilized art in both his biblical teaching and in his other work. His friendship with the artist Lucas Cranach was legendary. In fact, it is said that the Reformation might not have taken place without Cranach because of both his illustrations of Luther’s work (including Luther’s German Bible) and Cranach’s earnings actually paid for Luther’s continued efforts.

So we have a Biblical basis for art and a history of art’s use in the Church, yes. But what is the good of the Church engaging art? I think Francis Schaeffer said it best when he remarked that art is how culture is defined. Art shapes culture. Art is a telling sign of a culture’s philosophy. In many ways, art tends to show us where the culture is headed. If we are to be ministers to the world around us, it is our responsibility to be aware of the art around us.

Finally, in this primer of a post (I still lament its brevity), we have a unique perspective as Christians to engage and analyze the arts. We, of all people, know who we are as creators made in the image of the Creator. We, of all people, know what beauty is, because we know that beauty is a reflection of God’s glory. We, of all people, should be the ones most engaged in the art and the ones producing the greatest art. It is unfortunate that in the last century the most well-known works of “Christian” art have been the kitsch paintings of Thomas Kinkade and Warner Sallman. Of course, there are the more expressive but less syrupy works of George Rouault – your local corner “Christian store” doesn’t care as much for that style. It is too deep, too thoughtful. However, Thomas Merton said it best when he noted, “I had learned from my own father that it was almost blasphemy to regard the function of art as merely to reproduce some kind of a sensible pleasure, or, at best, to stir up the emotions to a transitory thrill. I had always understood that art was contemplation, and that it involved the action of the highest faculties of man.”

The church produced the greatest movements of all time in the arts… and Kinkade is what we are known for now?

My challenge for you, Christians: become the creative beings that God created us to be. He has revealed himself to his Church in a unique and special way. We, of all people, have something to communicate through the arts. We are the ones who have the greatest ability to be achievers in the arts. Why must we settle for this sugary, lukewarm emission we’ve so regularly become accustomed to? No less that our identity in Christ calls us to so much more.

kgThe following article is cross-posted on the blog Image of Truth.
—————————————————-
The idea of art is found all throughout the creation narratives of Genesis. Creation is, of course, more than art, but it is certainly nothing less. Take the idea of aesthetics, for example. In the same way that a painter, who has been working on specific details of his painting, will often step back to remind himself of bigger picture and judge whether the element he has been working on brings the aesthetic he wants, so too God steps back from working on the details of his creation to view it in light of the bigger picture. He does this no less than seven times in Genesis 1, and each time he does so he gives it a value judgment: “this is good.” In his commentary on Genesis in the Interpretation series, Walter Brueggemann argues that God is not giving a moral/ethical judgment, but an aesthetic judgment. Brueggemann is certainly overstating his case- there’s definitely an ethical element involved- but I don’t think we need to take it as an either/or issue.

Aesthetics is not where I want to camp out today, however. I want to look at the creation narrative in light of the idea of God as sculptor. This idea, appropriately, is rooted in the beginning. Genesis 1:1-2 states that God created, and that the creation was initially formless and empty. The verb translated create here (bâʾrâ) is always used of a divine act. God created the material that would be contained in all things, but had yet to give shape to any of it. The ancients reading this narrative would have recognized the idea of chaos latent in this description. The creation narrative is one of overcoming chaos, fashioning matter into an orderly world. The picture presented in the text is very much a like a sculptor standing before an untouched block. All the material he needs is before him, but he has yet to give it shape, to give it order. Slowly and surely, the sculptor begins to chisel, order, and form- the creation begins to take shape. Land emerged from the chaotic primeval waters, trees and plants sprouted and grew, animals, fish, and birds came and roamed the newly ordered world.

At each step, God stood back to view his masterpiece as a whole. He sized up how each element fit together with the rest, how each thing fit together with every other thing- like several strands of thread woven together in a system that produces a larger fabric. He worked on the details of time- light and dark, seasons, orbits- then moved on to the next detail of land. But not before stepping back and declaring that this was good. This was beautiful. And so it was after every divine act of creation. This is good. This is beautiful. I wonder if the two are somehow connected- that in the shalom of paradise, part of the aesthetic beauty was it’s ethical goodness.

God has given order to chaos. He has shaped the formally formless material much the way a sculptor brings forth a sculpture out of a slab of rock. Finally, the movement of God’s creating acts brings us to the high point of the narrative- the creation of Adam and Eve. Here, we find a surprising statement: “Let us make human beings in our image.” The amount written on what this phrase means is legion, and I won’t begin to dive into that discussion here. What I want to focus on is how the idea begins to play out. Immediately, after creating Adam and Eve, God gives them this charge: subdue the earth. What does it mean to subdue the earth? At it’s most simplest idea, God means for them to cultivate the earth. They were to take the elements of creation, and fashion and shape them in order to harness it’s potential and use it for their benefit. In other words, they were to continue shaping God’s great creation. They are called to participate in the great sculpture. They were not called to join in the act of bâʾrâ which only God can do, but to cultivate the result of it. We, too, are called to this creation mandate. Part of the image of God, whatever it is, is the expression of the creativity shown in these creation narratives. Not in the sense of bringing something out of nothing, but in the sense of shaping, of bringing order out of the chaos. In sculpting this world for the glory of God.

Contributing to a New Blog

kgMy good friend Jacob has started a new blog and asked me to be a contributor. The blog, Image of Truth, is “dedicated to engaging aesthetics and the arts from a Biblical Christian perspective,” and will feature several contributors from a range of protestant traditions. The goals for the blog are listed as:

  • To equip the Church to recognize the importance of beauty and developing a truly biblical aesthetic, that is, a philosophy of beauty.
  • To equip the Church to recognize the importance and sanctity of the arts in the daily life of the Christian and the corporate Church, as well as in the history of God’s people over the course of history. Specifically, we will address issues of visual art [drawing, painting, sculpture, printing, etc], music, theater, film, and literature.
  • To engage the arts in our contemporary culture. Interacting with and analyzing various artistic expressions today, from contemporary art to music, film, and theater.

I’m really excited about the opportunity. I will continue posting here at katagraphais, of course, and will also cross post my Image of Truth postings here as well.

Heaven is a Place on Earth: Why Everything You Do Matters to God
Michael E. Wittmer
Paperback: 272 pages
Publisher: Zondervan (May 1, 2004)
Language: English
ISBN-10: 0310253071
ISBN-13: 978-0310253075
Product Dimensions: 7.7 x 5.3 x 0.9 inches
Buy Here: amazon.com

So far, we have looked over the first two parts of Heaven is a Place on Earth. In doing so, we have covered two questions that pertain to worldviews, and saw how Christianity answers them: The first is “What is this Place?” which looks at what the Bible says about creation; the second is “Why are We Here?” and looks at what our purpose in life is in regard to relationships between people and God, other people, and creation. These sections are much shorter at two chapters each. We now move on to part III, “What is Wrong with Me and My World? The Fall in Genesis 3-11
Read the rest of this entry

Heaven is a Place on Earth: Why Everything You Do Matters to God
Michael E. Wittmer
Paperback: 272 pages
Publisher: Zondervan (May 1, 2004)
Language: English
ISBN-10: 0310253071
ISBN-13: 978-0310253075
Product Dimensions: 7.7 x 5.3 x 0.9 inches
Buy Here: amazon.com

In the last post, I surveyed the first four chapters of Michael Wittmer’s book, Heaven is a Place on Earth. These chapters make up the introduction and the first of four parts, focusing on “What is this Place?” which is a look at what the Bible says about creation. He ended the section with a piece on being made “in the image of God” with a really helpful chart on the “three-fold” image (see last post for the chart). The chapters in Part Two, “Why are We Here?” focus on those relationships between people and God, other people, and creation. This section will be the focus of this post.
Read the rest of this entry